Can a lifelong slow reader nonetheless become a well-read one?
For 2021, I’ve once again signed up for the Goodreads reading challenge.
For 2021, I’ve once again signed up for the Goodreads reading challenge.
I’ve always considered myself a plotter. I’m very fond of pantsing my way through revisions, rewriting a scene five times in quick succession if need be rather than taking the time to outline the most feasible approach.
Originally, this was due to my not understanding them as an artform. I knew they were collages of evocative photos that represents one’s story, and that they’re a common way for writers to discuss and promote their work on social media, particularly Twitter.
Even less often do I give one-star.
It surely goes without saying that I love writing five-star reviews best of all.
This is obviously true when a gripping story threatens to keep you up well past your bedtime. And all the more so in the midst of a book that is decidedly opposite to that.
Chatting is equally applicable to friends and strangers, and is customarily performed in a relaxed and leisurely manner.
But almost all of this changes when it comes to a Twitter chat, and you are one of the chat hosts.
Me with Texas writer Sydney Young (L) and 2018 PitchWars mentor Carrie Callaghan (R) at the 2019 Historical Novel Society writers’ conference
So it was with #HFChitChat—the idea of a recurring Twitter chat and online community for writers of historical fiction.
It was this—the inherent uncertainty of any long gap of time—that convinced me to go to the recent writers’ conference of the Historical Novel Society’s North American chapter, held June 20-23 in Oxon Hill, Maryland.
Writers’ conferences are expensive, even more so with the exchange from Canadian dollars for those held in the United States. Still, as a writer of historical fiction, I felt it was important for me to go.