(Continued from Part 1)
Last week, I started writing about the things I disliked about the movie Wonder Woman.
This particular post was a follow-up to one about the things I did like about the movie.
Overall, I did enjoy the movie. However, no movie is perfect and no form of media exists outside of the societal context in which it’s created.
No movie is perfect; that’s just a given.
Even those that come will have aspects of it that demand closer scrutiny. Not even great movies are beyond critique. Meanwhile, critiquing a movie doesn’t have to mean you didn’t still enjoy it.
I’ve never much liked superheroes.
With the exception of a brief fondness for Superman in my childhood – and this more on account of his being Christopher Reeve rather than “super” – I’ve cared little for any superhero’s exploits.
Cover painting from the book Winds of Fate by Mercedes Lackey
(That is, my favourites aside from the one and only Xena, who is, in my opinion, the greatest warrior woman character there is.)
But I inadvertently left someone off my list; someone who made a strong impression upon me at a specific point in her personal journey.
A few weeks ago, I wrote about warrior woman characters and whether they helped or hindered the ongoing struggle for women’s equality in real life.
Having concluded that such characters do indeed benefit women and society, I can now happily share my top favourite warrior women characters who aren’t named Xena.
I have to include the stipulation of “not named Xena” because Xena is, in my opinion, the greatest warrior woman character there is.
Midway through my replay of all six seasons of Xena Warrior Princess last year, I heard word of possible reboot of the show.
Details on the project have since remained scarce. No one has been cast – not even the eponymous character – nor have there even been rumours about who’s under consideration for any of the roles.
Initially, the showrunner for the Xena reboot was set to be Javier Grillo-Marxuach, one of the writers from my new favourite TV show, The 100 (Xena having been my old favourite show). However, just last week, it was announced that Grillo-Marxuach had left the project due to “unsurmountable creative differences”.
That is to say, about those who are subject matter experts on different forms of marginalization in society, who writers can recruit to help them bring verisimilitude to the portrayal of marginalized characters in fiction.
The use of sensitivity readers is a growing trend in fiction as more and more stories about marginalized characters are being published – particularly since more and more of these sorts of stories are being written by writers who themselves are not marginalized.