That is to say, about those who are subject matter experts on different forms of marginalization in society, who writers can recruit to help them bring verisimilitude to the portrayal of marginalized characters in fiction.
The use of sensitivity readers is a growing trend in fiction as more and more stories about marginalized characters are being published – particularly since more and more of these sorts of stories are being written by writers who themselves are not marginalized.
Fiction writers have always employed the advice and experiences of subject-matter experts to help bring authenticity to their stories.
Sensitivity readers, as it happens, are subject-matter experts on experiences with different types of marginalization in mainstream society.
During my undergraduate degree in environmental studies, a particular course in the history department caught my eye.
This course was called History of Africa South of the Sahara.
I first I discovered this course during my first year while thumbing through the course catalogue planning for my upper years.
Ooh, this would be an interesting elective, I thought upon reading the course description:
A reporter determined to get the scoop on Xena
In time, all good things come to an end.
In a way, I could have said this at the end of the season 5 of Xena Warrior Princess, which itself wasn’t as strong as seasons past, in my opinion.
By season 6, much of what previously made the show great – Xena and Gabrielle wandering Greece and interacting with various gods and mythological figures – fell by the wayside.
Samuel L. Jackson starring as a racebent Nick Fury
You can count on it.
Whenever a major media outlet posts an article about the problem of whitewashing in mainstream entertainment, there is a certain response that’s guaranteed to appear in the comments thread.
Well it’s no different than casting a person of colour in a role meant for a white person, so if they had a black James Bond, it’d be equally racist and offensive.
Benedict Cumberbatch in Star Trek: Into Darkness, playing the role of an important non-white character from the Star Trek universe
I’ve always had a fondness for stories about female warriors.
Among my favourites is Hua Mulan, the legendary subject of an Ancient Chinese epic poem about a young woman takes her aged father’s place in the military by disguising herself as a boy.
In the 1998 Disney cartoon, Mulan, she is shown exhibit bravery, ingenuity, and honour, and succeeds in helping save China from invaders.
Xena receives some unexpected news
In the second last season of Xena Warrior Princess, we have come to the climax of the overall arc of the story.
Up to this point, Xena has gone from being a former bloodthirsty warrior, newly repentant and wracked with self-loathing, to a devoted friend and fighter for good and justice, to a self-assured paladin following the righteous spiritual path known as the Way of the Warrior.
Meanwhile, Xena’s best friend and sidekick, Gabrielle, has gone from a plucky, idealistic peasant girl, to an unwitting Amazon princess and novice fighter, to an adherent of the nonviolent spiritual path known as the Way of Love, to an eventual apostate of that path in favour of becoming a warrior – no longer a sidekick – in her own right.