You also have to present a well-constructed setting that captures the culture, customs, details, and ethos of the historical period in question. In this way, histfic genre conventions have as much in common with an honours-level history class as with any other genre of fiction.
(Continued from Part 1)
I am not one of those writers, to my great and ongoing dismay.
Not just those pertaining to good writing in general—and I made those big time—but also those specific to historical fiction in particular.
It covered historical notions of women as “misbegotten” lesser humans, as helplessly insatiable and promiscuous, and as ever in danger of being considered unmarriageable and “spoiled goods” if subject to even the hint of impropriety.
Medieval perception of women’s sexuality
But no discussion about sex, be it in a historical or a modern context, can be deemed complete without a parallel discussion about the societal perception of women as sexual beings, as well as their sexual agency, or lack thereof.
The two topics are intrinsically linked.
To be clear, it was a good idea. Although I’d already written the first draft of the first book of my historical fiction trilogy in 2006, I went on a six year writing hiatus after that, during which time I’d convinced myself I was giving up writing forever.
