When it comes to writing historical fiction, your plot, however entertaining, will only take you so far.
You also have to present a well-constructed setting that captures the culture, customs, details, and ethos of the historical period in question. In this way, histfic genre conventions have as much in common with an honours-level history class as with any other genre of fiction.
(Continued from Part 1 and Part 2)
History as a whole provides a vast collection of topics that are ripe to be made into historical novels.
Even when you’ve narrowed your interest to a specific historical era, the possibilities are virtually endless.
(Continued from Part 1)
Some writers are blessed with an abundance of ideas for future stories.
I am not one of those writers, to my great and ongoing dismay.
When I wrote my first historical novel, I made all the mistakes.
Not just those pertaining to good writing in general—and I made those big time—but also those specific to historical fiction in particular.
I’m always taken aback when a non-writer is impressed by the act of writing a novel.
In last week’s post, I wrote about my passion for writing and how, in reality, my devotion to it presents as rather obsessive and possibly a little pathetic.
It was fun while it lasted.
Back at the start of September, on Twitter, someone posted a tweet encouraging people to list five movies that best represent their tastes and personality.
Recently, I did a mid-year assessment of my progress on my 2018 New Year’s resolutions.
I did this not only to determine how close or how far I am from achieving success, and not only because I’m experimenting this year with doing quarterly check-ins to help boost my success rate.
I also did it because, in the obverse of the famous quote from the mega-hit fantasy series Game of Thrones, “Summer is coming.”