Never was a day planner’s title so unfitting for the year 2020
It seemed to take the better part of a decade, but the year 2020 is finally over.
Indeed, once December hit, the year seemed to make up for its previous glacial progress due to Covid-19, at once jetting by and forcing me to likewise race to try to finish my outstanding resolutions for the year.
I chose the cover quote of my 2021 planner with extreme care.
This wasn’t just to counteract last year’s wildly inaccurate “Grand Plans” amidst a year that proved to hold anything but for the whole world due to Covid-19.
It was supposed to be a beat sheet I was creating for my next WIP.
I’ve always considered myself a plotter. I’m very fond of pantsing my way through revisions, rewriting a scene five times in quick succession if need be rather than taking the time to outline the most feasible approach.
Writing is hard. No one is going to disagree with that.
Often, writers don’t even know which aspects of writing they struggle with the most; those unknown unknowns of writing, which by nature are that much more difficult to address.
The third quarter, for me in any case, is the one that makes or breaks the year.
In the matter of achieving year-long goals it really does feel like the point where shit, as they say, gets Real.
2020 feels like it’s already lasted 57 decades.
But we’ve now passed the official midpoint of the year.
I always wanted to make an aesthetic for my WIP, though I wasn’t sure that I could.
Originally, this was due to my not understanding them as an artform. I knew they were collages of evocative photos that represents one’s story, and that they’re a common way for writers to discuss and promote their work on social media, particularly Twitter.
The inspirational title of my day planner for 2020 is “Grand Plans”.
It’s funny how so many sayings about plans are negative ones:
“If you want to make God laugh, tell him your plans.”
“No plan survives first contact with an opposing force.”
“Life is what happens while you’re busy making other plans.”
(Continued from Part 1)
Last week, I wrote about the care I take with word choice in writing
Specifically, the first of three questions that I ask myself in attempting to create a narrative that sounds of a bygone era for historical fiction.
As writers, we all naturally pay close attention to the words we use in our prose.
Being a writer of historical fiction has made me even more mindful of word choice.