On Historical Boundaries and the Resulting Artistic Bounty (How to Build a Historical Fiction Plot – Pt.2)

(Continued from Part 1)

Some writers are blessed with an abundance of ideas for future stories.

I am not one of those writers, to my great and ongoing dismay.

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How to Build a Historical Fiction Plot: A Guide/Reminder for You/Me

When I wrote my first historical novel, I made all the mistakes.

Not just those pertaining to good writing in general—and I made those big time—but also those specific to historical fiction in particular.

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Learning by Doing (Over): Even More Thoughts on Having My Novel Critiqued

Apparently, I’m both a better and worse writer than I always thought.

It’s been pretty much a full year since I started my critique group, and the time I’ve spend working with my CPs has been full of revelations about myself as a writer.

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How Do You Write a Book?

I’m always taken aback when a non-writer is impressed by the act of writing a novel.

In last week’s post, I wrote about my passion for writing and how, in reality, my devotion to it presents as rather obsessive and possibly a little pathetic.

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On Validation During the Writing Process (and why it’s okay for writers to want that too)

I’ve written before on the topic of writers and validation.

That previous post was related to which form of publishing one might chose to pursue (self-publishing vs. traditional), and what that choice may or may not say about one’s need for acknowledgement by writing industry professionals, which in turn may or may not relate to the strength of one’s self esteem.

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“Mistakes Were Made”: More Thoughts on Having My Novel Critiqued

I always believed that I was a good writer.

This is a fairly common trait among writers and not necessarily a bad thing.  No one would spend the necessary months or years to write a novel if they didn’t on some level believe themselves good at it, or at least capable of getting better.

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