On Drafting Sequels Out of Sequence of Traditional Publishing

Drafts of all three books in my proposed trilogy (and a single sheet of paper to spare!)

Experts are adamant that you shouldn’t do it.

When you’ve written the first book in a series that you want to have traditionally published—or rather a book that has “series potential”, to use the correct querying parlance—they say you absolutely should not write a sequel (or sequels) until the first book is sold.

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On Plotting a New Novel By Pantsing It

It was supposed to be a beat sheet I was creating for my next WIP.

I’ve always considered myself a plotter.  I’m very fond of pantsing my way through revisions, rewriting a scene five times in quick succession if need be rather than taking the time to outline the most feasible approach.

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I Made My First Ever Aesthetic! (With No Help From My Mind’s Eye Whatsoever)

I always wanted to make an aesthetic for my WIP, though I wasn’t sure that I could.

Originally, this was due to my not understanding them as an artform.  I knew they were collages of evocative photos that represents one’s story, and that they’re a common way for writers to discuss and promote their work on social media, particularly Twitter.

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A Word on Word Choice When Writing Historical Fiction (pt. 2)

(Continued from Part 1)

Last week, I wrote about the care I take with word choice in writing

Specifically, the first of three questions that I ask myself in attempting to create a narrative that sounds of a bygone era for historical fiction.

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Characters’ Physical Descriptions in Fiction: An Argument in Opposition

Last year, while having parts of my WIP critiqued by a CP, I received an unexpected bit of feedback.

It had to do with the physical description of a certain character.  Specifically, the fact that, in her mind, I hadn’t provided a physical description at all.

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