Drafts of all three books in my proposed trilogy (and a single sheet of paper to spare!)
When you’ve written the first book in a series that you want to have traditionally published—or rather a book that has “series potential”, to use the correct querying parlance—they say you absolutely should not write a sequel (or sequels) until the first book is sold.
Thirty-one chapters rewritten and accounted for
In not even counting the two months where I purposely did no writing at all, it took an entire year to write the second draft of my historical fiction novel-in-progress, which amounted to a complete rewrite of my first draft.
It took longer to write than the first draft itself, which I completed in 10 months back in in 2005.
Many years ago, in a fluke of proprioception I’m largely unable to reproduce with my moods and in other activities, I mastered the skill of daydreaming with a neutral expression on my face.
This revolutionized the way I move through the world, for it enabled me to almost always be working on my writing, even when I’m not literally writing.
The historical fiction shelf you won’t find in most bookstores and libraries
Not the way romance or mystery or thriller are genres.
There are no defining characteristics – no genre conventions – of historical fiction other than the story taking place in a non-contemporary time period in which the manners, social conditions, and other details of the era are clearly depicted.
I should rephrase that: I’m two-thirds through the second draft of my WIP, with an as-yet-undetermined number more to go after that.
And it’s not exactly “just like that” either, for I’ve been hard at work on this draft since January. This has involved, in addition to multiple rewrites of chapters one through three, a first crack at the additional 15 chapters I’ve completed to date some of which were in much better shape than others.
Not the “re-re” I’m referring to, but like the Bajan beauty in her famous revenge video, I had to get tough on this chapter
So the popular, and unfortunately, all too true saying goes.
After working on the first draft my historical fiction trilogy for the better part of three years (with a long, six-year hiatus in between), I was ecstatic to finally get started on draft two of book #1 back in January of this year.
I’ve now been actively revising my WIP for about three-and-a-half months.I have to admit, I haven’t progressed nearly as far as I’d anticipated, to date having reworked only seven chapters out of a total 31. And that’s not counting the fact I have to go over chapters 1-3 all over again.
One chapter down, 30 more to go (in this draft)
I never set out to write a trilogy. That’s a whole lot of writing for anyone, but for me, being such a slow writer to boot, it at times felt near-insurmountable.
I’m convinced the only thing that got me to THE END of the first draft was the iron-like strength of my discipline. I may have many shortcomings as a writer, but showed up at the page is not one of them.
My first draft chapters, bottom to top, colour coded by their revision needs
Coming in at 402 pages and with all but the last two chapters having been written some ten years ago, I really had no idea what I was in for when, upon completing my first novel ever (technically my first trilogy, but I count it as one completed story), the time came to read through the entire first draft.
The age of the thing alone terrified me, for how well could a ten-year-old story possibly hold up? I already knew going in that I’d have a fair amount of rewriting ahead of me, but the question was how much?
Which, in my opinion, is perhaps the most perilous of all the stages – even more so than the main confrontation of the story’s climax – for at this stage, the hero still doesn’t have a complete sense of what s/he is up against; a true, Rumsfeldian “unknown unknown”.
That is to say, I’m getting ready to revise my first completed novel.
A Frame Around Infinity 