No examination of medieval hunting would be complete without a more thorough discussion of forest law.
1225 reissue of England’s 1217 Charter of the Forest
To say nothing for the corresponding legend – one that lives on to this day – that grew up surrounding it.
As mentioned in my first post about medieval hunting, forest law stipulated such matters as who was permitted to hunt what and when, what the punishment for poachers would be, and even how many talons were permitted on dogs that lived in households and villages within a royal forest.
Midway through my replay of all six seasons of Xena Warrior Princess last year, I heard word of possible reboot of the show.
Details on the project have since remained scarce. No one has been cast – not even the eponymous character – nor have there even been rumours about who’s under consideration for any of the roles.
Initially, the showrunner for the Xena reboot was set to be Javier Grillo-Marxuach, one of the writers from my new favourite TV show, The 100 (Xena having been my old favourite show). However, just last week, it was announced that Grillo-Marxuach had left the project due to “unsurmountable creative differences”.
In the medieval times, hunting with dogs was the most typical form of the sport.
It wasn’t, however, the only way to bring down prey – or even the most popular one, particularly among the noble class.
Neither were deer and boar – which were restricted to all but the king and his favourites – foxes, hares, squirrels, and other beasts of the warren the only quarry that was hunted during the Middle Ages.
Thirty-one chapters rewritten and accounted for
It took an entire year.
In not even counting the two months where I purposely did no writing at all, it took an entire year to write the second draft of my historical fiction novel-in-progress, which amounted to a complete rewrite of my first draft.
It took longer to write than the first draft itself, which I completed in 10 months back in in 2005.
That is to say, about those who are subject matter experts on different forms of marginalization in society, who writers can recruit to help them bring verisimilitude to the portrayal of marginalized characters in fiction.
The use of sensitivity readers is a growing trend in fiction as more and more stories about marginalized characters are being published – particularly since more and more of these sorts of stories are being written by writers who themselves are not marginalized.
Fiction writers have always employed the advice and experiences of subject-matter experts to help bring authenticity to their stories.
Sensitivity readers, as it happens, are subject-matter experts on experiences with different types of marginalization in mainstream society.
Usually, it’s writing that I cheat on other activities with.
Many years ago, in a fluke of proprioception I’m largely unable to reproduce with my moods and in other activities, I mastered the skill of daydreaming with a neutral expression on my face.
This revolutionized the way I move through the world, for it enabled me to almost always be working on my writing, even when I’m not literally writing.