Thoughts on Pitching My Novel to a Literary Agent

Years ago, on a now defunct blog of mine, I discussed the notion of pitching a novel to an agent or editor.

Specifically, on February 26, 2006, I wrote the following:

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The Who, What, Why-the-Heck, Etc. of #HFChitChat

Me with Texas writer Sydney Young (L) and 2018 PitchWars mentor Carrie Callaghan (R) at the 2019 Historical Novel Society writers’ conference

So many creative initiatives begin life as an offhand comment, initially dismissed.

So it was with #HFChitChat—the idea of a recurring Twitter chat and online community for writers of historical fiction.

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What Worked for Me: A Round-up of Recommendations for Getting the Most Out of a Writers’ Conference

If I didn’t go now, I’d have to wait until 2021.

It was this—the inherent uncertainty of any long gap of time—that convinced me to go to the recent writers’ conference of the Historical Novel Society’s North American chapter, held June 20-23 in Oxon Hill, Maryland.

Writers’ conferences are expensive, even more so with the exchange from Canadian dollars for those held in the United States.  Still, as a writer of historical fiction, I felt it was important for me to go.

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