A Word on Word Choice When Writing Historical Fiction (pt. 2)

(Continued from Part 1)

Last week, I wrote about the care I take with word choice in writing

Specifically, the first of three questions that I ask myself in attempting to create a narrative that sounds of a bygone era for historical fiction.

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Watching My Language (or, On the Quest to Gender-Neutralize My Speech)

Eowyn - I'm no man 2

It’s a tiny, seemingly throwaway phrase I hear uttered every day – from my own lips included – and it drives me just this side of batty.

As a writer, I’m very concerned and interested in the language I use, both on paper and verbally.

Part of the reason I’m such a slow writer is because, for me, every sentence is a search not just a word, but the exact word – the word that conveys the precise sentiment of what I’m trying to express.

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