
(Continued from Part 1)
Last week, I wrote about the care I take with word choice in writing
Specifically, the first of three questions that I ask myself in attempting to create a narrative that sounds of a bygone era for historical fiction.

(Continued from Part 1)
Specifically, the first of three questions that I ask myself in attempting to create a narrative that sounds of a bygone era for historical fiction.

Being a writer of historical fiction has made me even more mindful of word choice.

Even less often do I give one-star.

It surely goes without saying that I love writing five-star reviews best of all.

A way more conducive to my successfully achieving them.

All year I’ve been working toward my three major goals for the year that I set on January 1, 2019 (my New Year’s Resolutions).

This is obviously true when a gripping story threatens to keep you up well past your bedtime. And all the more so in the midst of a book that is decidedly opposite to that.

I did this primarily to convince myself to follow my own advice.

Specifically, on February 26, 2006, I wrote the following:

Case in point: in my previous post, I argued that physical descriptions of characters of the sort that itemize their hair colour, eye colour, height, and hair style are largely irrelevant to the plot and point of most stories.