The Shortest Story I’ve Ever Written

For the record, I don’t like short stories.

Once upon a time the endI’ve written about 10 of them over the course of my writing “career” thus far, and almost all of them are flops.

Not because the writing is bad per se (although some of them were written while I was still in high school, so neither is the writing deathless prose). Rather, they don’t work because they aren’t really short stories at all.

They’re novel back stories masquerading as short stories.

That just seems to be the way my brain works: my stories come to me novel length.

(If my WIP is any indication, my stories come to me trilogy length.)

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Are Characters Born or Made? (The “Meet My Character” Blog Tour)

Novelist at work

Most writers, I’m sure, have heard tell of characters who seemingly develop “minds of their own” and “take over”  the stories they’re part of.

Maybe it’s happened to you.

Whether or not this phenomenon even truly exists was the subject of the second-most contentious discussion my writing group has ever had.

(The most contentious, unsurprisingly, concerned plotting vs. pantsing.  But that’s a story for another day.)

One writer from my group absolutely believed that characters can come to life, and that them doing so is a quasi-spiritual experience for the writer – a channeling of the divine, uncontrollable inspiration that exists all around us.

A writing of the story through us rather than by us.

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Who Anchors Your Artistic Chain of Influence?

Anchor chain

As writers, we often believe we were born to write.

I certainly have early memories of my writing life.  My first “novel” – a masterpiece inspired by the cartoon Jem and the Holograms – was “published” in grade three.  I haven’t really stopped writing since.

“It’s in my blood,” I’ve heard writers claim.  “I couldn’t not do it.”  And I find, for the most part, that I agree.

However, I’ve never been one to champion Nature as the sole determinant of anything.  Especially after reading a recent blog post by literary marketing expert Dan Blank about an artist’s chain of influence, which led me to examine my own early writing influences.

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How I’m Spending My Summer

Summer

No, it doesn’t involve an awesome vacation, but more on that in a bit.

I’m having a “working summer” this year. This isn’t unlike how I often have “working weekends”, during which I get caught up on all the errands, chores, and other adult-life necessaries I didn’t do during the week because I was busy writing.

Full-time jobs are hell on both writing time and fun, relaxing weekend time, though I guess we all need to suffer a bit for our art.

But I’ve currently got some BIG tasks that need doing.

Hence the working summer.

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Bringing Up the Bodies: On resurrecting dead manuscripts

Every writer who’s been writing for a while has a dead manuscript stuffed away somewhere.

Be it a bottom drawer, bottom shelf, back of a closet, or in digital form in some dark oubliette on one’s hard drive, it’s something of a rite of passage for a writer to discover his/her novel (usually the first one) is an irredeemable mess, and for him/her to give it the axe.

But how many of those whacked novels refuse to go quietly into that good night? How many writers end up haunted by the ghost of what could have been – what still can be now that they’re stronger wordsmiths who have loved, lost, and learned the error of their once novice ways?

And for those who have had this experience, how many actually give into it and take another crack, as it were, at the title?

I’m seriously considering doing just that.

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The Emails I Send to Myself (I can’t be the only writer who does this)

Cat working on computer

I made a point some time ago to inform the IT manager at my workplace that I’m writing a novel.

Partly I did this because I’ve struck up a friendship with her over the years, and the fact eventually became a relevant addendum to her revelation of being an avid reader.

The other reason, though – perhaps the more pressing reason – is due to the nature of some of the emails I send.

Not that they’re offensive, or in any direct violation of the company’s Information Services & Technology user policy.  But they are … strange, not the least of which is because they are emails send to myself at my personal email address.

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Sometimes Magic Just Works: 4 Q&As about my WIP

Ravenswing Dress - The Dark Angel Design Company, Photography - Lunaesque

The Dark Angel Design Company, photography by Lunaesque

Time to talk about my WIP again!

I never used to do this at all, as the thought of giving the dreaded “elevator pitch” makes my stomach churn like too much greasy pizza too close to bedtime.

But like anything bearing the label “dreaded”, said dread is usually lessened over time through devoting regular thought and effort to improving at the task at hand.

In other words, I need to practice pitching and promoting myself more.

Which is why, when tagged by my blog-buddy Eric J. Baker, to answer four questions about my WIP as part of the Writing Process Blog Tour, and I agreed to participate.

The four questions are thus as follows:

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Staged Under a Striped Tent

The Circus Tent II, by Timmy on flickr

The Circus Tent II, by Timmy on flickr

The world, it’s been said and oft-repeated, is a stage.

I too am one such a player – a masked pretender cued by the reflection my audience mirrors back to me.

But I am also a writer – one who has further played the role of poet, at one time or other.  I have characterized my own self, as well as my personal stage where the show goes on.

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Character Study: Sarah Manning from Orphan Black (and, yes, a hero IS a special snowflake)

I first learned of Orphan Black when it was just an obscure, homegrown program on Canada’s Space Channel.

And in my customary inability to pick a winning horse, dismissed it without watching a single episode, deeming it just another sci-fi show on Space – a network whose programming quality, let’s be honest, varies.

But recently, my blog-buddy Eric J. Baker wrote about Orphan Black, recommending everyone give it a try.  Plus, with the second season having recently started, news of Orphan Black and its success was everywhere in Canadian entertainment news.

So, I decided I’d watch a bit, and thus far am halfway through season 1.

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“For Diversity’s Sake”: On Representation in Fiction, One’s True Art & the Vicious Circle of Mainstream Media

Samuel L. Jackson as Mace Windu, the first black Jedi.

Samuel L. Jackson as Mace Windu, the first black Jedi.

There’s been a lot of talk lately within the corners of the blogosphere I frequent about diversity of characters in genre fiction.

First fantasy author Chuck Wendig blogged in favour of book and movie characters being more representative of the world around us.

Then, indie fantasy author Ksenia Anske wrote about writers – diverse writers included –writing their true art – whatever shape or colour that may be – rather than being obliged to meet quotas of diversity – a compelling piece I neither fully agree nor disagree with.

This topic is hardly new within the writing world, with numerous other arguments out there both for and against the inclusion of more people of colour, of different sexual and gender orientations, and different physical and mental ability levels in genre fiction.

The “against” argument I despise the most is the concept of something I repeatedly saw in the comments trail of Chuck Wendig’s post.

The notion of “diversity for diversity’s sake”.

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