Cover painting from the book Winds of Fate by Mercedes Lackey
(That is, my favourites aside from the one and only Xena, who is, in my opinion, the greatest warrior woman character there is.)
But I inadvertently left someone off my list; someone who made a strong impression upon me at a specific point in her personal journey.
A few weeks ago, I wrote about warrior woman characters and whether they helped or hindered the ongoing struggle for women’s equality in real life.
Having concluded that such characters do indeed benefit women and society, I can now happily share my top favourite warrior women characters who aren’t named Xena.
I have to include the stipulation of “not named Xena” because Xena is, in my opinion, the greatest warrior woman character there is.
It’s a rare thing for me to start liking a character after I’ve already committed to hating them.
Then again, it’s even rarer for me to start liking a TV show after I’ve initially decided that I don’t.
And yet both of these things are exactly what happened with the hit TV show The 100.
At the expense of sounding like a hipster, not only did I like The 100 before it grew so popular, it’s since become MY SHOW in which its idealized lead female character has become my favourite.
According to TV Tropes, one of the coolest, most addictive wiki’s on the internet,
Tropes are devices and conventions that a writer can reasonably rely on as being present in the audience members’ minds and expectations.
Tropes aren’t bad in and of themselves bad and are not inherently cliché on account of their widespread use in mainstream media.
In fact, tropes can be very useful, particularly characters tropes, which can provide a firm foundation for character development and serve as a helpful cue to readers and viewers about the sort of character journey (and hence the sort of story) they can expect.
Like 17 million other people, I’ve been watching Empire.
And in keeping with the prevailing opinion, I think it’s a great show.
When I told my sister I was watching it, she expressed surprise. Not an unexpected reaction given most of what I watch is either fantasy, sci-fi, historical, or about science and nature.
However, Empire, at its core over the first season, is a succession drama, which I always love and happen to be writing myself in a historical setting. As well, I have a prior history with stories about record companies thanks to the 1985 movie Krush Groove, which my sister and I watched together and both enjoyed.
SOMETHING I LOVE MOST about historical fiction is the opportunity to contemplate the lives of little and lesser known people – those who weren’t among history’s winners whose story and version of events have been codified into what mainstream society accepts as The Way Things Actually Happened.
When I blogged about my favourite media of 2014, I included the movie Belle, which I watched during my plane ride home from Australia.
By GEARSMITH on deviantART
Having recently watched the latest Transformers movie in theatre – perhaps against my better judgement – I’ve been thinking a lot recently about the character Optimus Prime.
Because the movie, in my humble opinion, made his personality almost completely unrecognizable.
Optimus Prime – right up there with Xena, the Warrior Princess – has long been a favourite character of mine. For those unfamiliar with the Transformers franchise – of which there have numerous incarnations via cartoons, movies, and comics – the main, unchanging premise is that of a race of giant alien sentient robots who are gripped in an eons-long war of good against evil.
Optimus Prime is the long-standing leader of the heroic Autobots against the ruthless Decepticons led by the tyrant Megatron.
Xena of Amphipolis, aka the Warrior Princess, is indeed my favourite fictional character.
(For the record, her character wasn’t actually a princess, which I like better now that I’m well past the age of 5 and its pervasive draw to all things “princess”.)
The show Xena Warrior Princess aired while I was in high school and university, from 1995-2001.
I’m not sure how it was I came to discover it or its two companion shows, Hercules: The Legendary Journeys and The Adventures of Sinbad, but all three quickly became part of my Saturday afternoon routine. Xena was always my favourite.
I first learned of Orphan Black when it was just an obscure, homegrown program on Canada’s Space Channel.
And in my customary inability to pick a winning horse, dismissed it without watching a single episode, deeming it just another sci-fi show on Space – a network whose programming quality, let’s be honest, varies.
But recently, my blog-buddy Eric J. Baker wrote about Orphan Black, recommending everyone give it a try. Plus, with the second season having recently started, news of Orphan Black and its success was everywhere in Canadian entertainment news.
So, I decided I’d watch a bit, and thus far am halfway through season 1.
Ser Bronn of the Blackwater
Like most people who enjoy TV, I’m following Game of Thrones.
Also like most people, I have my favourite Game of Thrones characters, many of whom have died horrible deaths.
Thankfully, I still have a couple of favourites left, one of whom is Tyrion Lannister’s sellsword bodyguard-turned-knight, the aptly-named Bronn.
Bronn is a secondary character in the series, yet one I’m always excited to watch. This despite the fact that the roguish soldier of fortune – a hard-drinking, womanizing, wry, cunning, yet still reasonably amiable mercenary – is a common high fantasy trope.