Story Math Sucks

Every so often on social media I’ll encounter a post that seems wholly and deliberately written for me.

In the four years since I last put fingers to keys in support of this blog, I’ve sadly yet to overcome my tendency to put fingers to keys in far too great an amount to be of service to the accepted length of a standard traditionally published novel.

That is to say, I remain, as ever, an overwriter.

In the 180K(!) words of my latest historical WIP’s first draft that I’ve laboriously written (because I find all writing laborious, really, rather than this being some special case), there is, fortunately, a natural endpoint where I can cut the story into two.

But cutting in two is not the same thing as cutting in half. With my new, proper midpoint as a guidepost, I now have to remove at least 15K words from the first half of book 1 and add 8K to the second half to rebalance the plot structure.

Oh, and the so-called “book 2” I now have on my hands? It’s less than half the length of a normal novel.

Story math, y’all.

But I have a plan for this. I have a complicated, multi-phase plan to fix all of these challenges I’ve both inadvertently and inevitably created for myself. I may have even finally—finally—learned my lesson on proper story structure and pacing during the drafting stage.

But what a road it’s been—it still is, currently—to get here.

~

The reality of how long it’s been since I’ve last had a completed first draft to push and pull into shape is itself another wrinkle of story math resulting from the two key facts I mentioned above—that I’m an overwriter and that all writing is laborious to me. Even blogging. Yet here I am. Again. Maybe…. For now, I’m just dipping my toe back into the blogosphere. No committed posting schedule. No comments either, for now. We’ll see how this—how all of this—goes in due course.

 

(Post header image from imgflip)

On Drafting Sequels Out of Sequence of Traditional Publishing

Drafts of all three books in my proposed trilogy (and a single sheet of paper to spare!)

Experts are adamant that you shouldn’t do it.

When you’ve written the first book in a series that you want to have traditionally published—or rather a book that has “series potential”, to use the correct querying parlance—they say you absolutely should not write a sequel (or sequels) until the first book is sold.

Continue reading

On Plotting a New Novel By Pantsing It

It was supposed to be a beat sheet I was creating for my next WIP.

I’ve always considered myself a plotter.  I’m very fond of pantsing my way through revisions, rewriting a scene five times in quick succession if need be rather than taking the time to outline the most feasible approach.

Continue reading

I Made My First Ever Aesthetic! (With No Help From My Mind’s Eye Whatsoever)

I always wanted to make an aesthetic for my WIP, though I wasn’t sure that I could.

Originally, this was due to my not understanding them as an artform.  I knew they were collages of evocative photos that represents one’s story, and that they’re a common way for writers to discuss and promote their work on social media, particularly Twitter.

Continue reading

A Word on Word Choice When Writing Historical Fiction (pt. 2)

(Continued from Part 1)

Last week, I wrote about the care I take with word choice in writing

Specifically, the first of three questions that I ask myself in attempting to create a narrative that sounds of a bygone era for historical fiction.

Continue reading