Midway through my replay of all six seasons of Xena Warrior Princess last year, I heard word of possible reboot of the show.
Details on the project have since remained scarce. No one has been cast – not even the eponymous character – nor have there even been rumours about who’s under consideration for any of the roles.
Initially, the showrunner for the Xena reboot was set to be Javier Grillo-Marxuach, one of the writers from my new favourite TV show, The 100 (Xena having been my old favourite show). However, just last week, it was announced that Grillo-Marxuach had left the project due to “unsurmountable creative differences”.
That is to say, about those who are subject matter experts on different forms of marginalization in society, who writers can recruit to help them bring verisimilitude to the portrayal of marginalized characters in fiction.
The use of sensitivity readers is a growing trend in fiction as more and more stories about marginalized characters are being published – particularly since more and more of these sorts of stories are being written by writers who themselves are not marginalized.
It’s hardly worth referencing a specific incident to support this statement. Just turn on your TV. Turn on the radio. Log on to any social media platform. Open your front door. You could spit and it would land on something awful taking place. The reasons why are too numerous to count.
Image of a Native American man from J.K. Rowling’s History of Magic in North America.
How do I know if I’m appropriating the traditions of another culture in my writing versus creating a respectful adaptation?
Admittedly, this isn’t an issue I’ve devoted much thought to in the past. Of late, however, following the J.K. Rowling #MagicInNorthAmerica controversy, it’s been on my mind a fair bit.
For those not familiar, #MagicInNorthAmerica has to do with a series of fictional monographs discussing the history of magic in the Harry Potter universe. Harry Potter author J.K. Rowling recently released these on her Pottermore website to promote the release of the upcoming movie Fantastic Beasts and Where to Find Them.
People are often surprised to learn that I have fond memories of playing with Barbie dolls as a child.
This disbelief could be interpreted in a number of different ways, each a bit more biting and backhanded than the last (you don’t seem feminine enough to have been interested in dolls; to look at you, I’d never guess you played with a doll that was so connected with fashion).
Most likely, though, it’s a puzzling discrepancy that draws folks up short: I care a great deal about diversity and representation in popular culture, yet in that regard, Barbie has often earned a failing grade.