All You (N)ever Wanted: My favourite (and least favourite) writing advice

Ah – writing advice.

If there’s one thing writers do with as much (if not more!) enthusiasm as actual writing, it’s seeking advice on writing.

The internet positively teems with the stuff.  Plus anyone with even the smallest portion of a novel either on their computer or in their soul is guaranteed to own at least one writing how-to book.

(Personally, I have four, plus a duo tang full of photocopied notes, and numerous downloaded webpages.)

But how much this boundless writing advice is of practical use?  At a recent meetup of the writing group I lead, this was the discussion topic du jour: writing advice – the good, the bad, and the ugly.  Everyone was to come prepared to share the best piece(s) of writing advice they’d ever heard/read/received, and the worst piece(s).

I have five pieces of favourite writing advice – the specific tips that have really stuck with me over the years, and helped me straighten out some of my own writing flaws.  And so, I give you…

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Vices and Devices: Best Tech for Writers (you might be surprised…)

Ask any group of writers what technology they can’t live without and you’ll get the same handful of answers…

Computer…

iPad…

Internet…

Scrivener…

The voice-recording app on one’s phone…

…over and over again.

(Rare is the astute writer who notes I in no way specified writing-related technology.  Few ever answer “my fridge” or “my stove” or “my furnace in the dead of winter”.)

The problem with writing-related tech is that it does little to account for the writing life as a whole.

As a point of comparison, consider the important markers that define a healthy lifestyle: sure, exercising five days a week will give you a hard, hot body that will turn heads on any beach.  But if you’re also an insomniac, chain-smoking stress cadet, how healthy can you truly claim to be?

Writing is no different.  Getting words down on a page is just the tip of the proverbial iceberg; there’s a lot more supporting it beneath the surface that’s not readily seen.

Here’s some tech that helps me, at least, take care of, not just the writing, but also the person doing the deed, to promote a more holistic writing life:

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Write a Novel to Change People, to Change Yourself and the World, for the Better

(A/N: This post is in honour of the victims, the emergency staff, and those in mourning in Boston)

I was on the treadmill, running, as the devastating events surrounding the Boston Marathon were unfolding.

Because of the time difference between Boston and Vancouver, BC, it was my lunch hour, which, as usual, saw me in the gym located beneath my office.

I was enjoying my run that day, which is by no means a guaranteed occurrence.  Afterward, to commemorate, I took to Twitter to convey my delight in how just the right song coming up on one’s iTunes shuffle at just the right time (such as during the final five-minute sprint) can transform an otherwise good run into one that’s AWESOME and KICKASS and makes you feel able to CONQUER THE WORLD!

It was then that I took a closer look at the content of all those #Boston tweets filling my Twitter stream….

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Line By Line, Stone By (Mile)Stone

This past week, I reached another milestone in my novel-in-progress:

Page 200.

Except it’s not really my 200th page, for my story is a novel in two volumes (like how Lord of the Rings is actually a novel in three volumes rather than the trilogy it’s often erroneously termed).  The first volume of the story in draft form is 377 pages.

That means I’m technically on page 577.

The past two months has seen me achieve a number of writing milestones: my current page number; my one-year blogging anniversary on February 20; my writer’s birthday (which I actually missed) on February 10.

I’m now a five-year-old writer.

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The Kelly Clarkson Method of Plotting: Throwing a twist in the tale

Have you ever heard Kelly Clarkson’s 2005 song Because of You?

The other day, I was trying to assemble a soundtrack for my novel-in-progress, and the song came up on my iTunes:

[Chorus] Because of you I never stray too far from the sidewalk / Because of you I learned to play on the safe side so I don’t get hurt / Because of you I find it hard to trust not only me, but everyone around me / Because of you I am afraid

If you want, you can have a listen to the whole thing here:

While this song didn’t make my soundtrack, I like it nonetheless, for whenever I hear it, it recalls me to an important consideration regarding plots and predictability.

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Come Hell or High Water: A blogging birthday

A rare mid-week and late-night post from me to commemorate my very first post on The Rules of Engagement, which was also mid-week and late-night.

For one year now, my blog has been online.

In that time, I’ve amassed some respectable numbers, learned a lot, and made some wonderful blogging friends.

Even more importantly, though, I’ve regained the confidence I’d lost as a failed blogger in a past writing life.

My original goal for this blog was to add one new post a week, regardless of whatever else might be on my plate.  With the exception of a conscious choice to not blog one time during the Christmas season, I’m happy to report that I’ve not missed a single week.

Consistency is the key to a successful blog, as it is with most other things in life, not the least of which includes writing.

51 posts in year one.  As is often said on the birthdays of people when they turn a year older,

And many more!

(Image source)

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Related posts:

Don’t Talk About Fight Club: A writer’s paranoia in discussing a WIP

“What’s your novel about?”

Four simple words that never fail to strike terror in my heart.

Part of this is because such a simple query is seeking an equally concise reply – the dreaded “elevator pitch”, which is an art form of brevity on par with the haiku and the perfectly witty Tweet.  Plus, I’m almost never as glib a speaker as I wish when put on the spot like that.

As well, I dislike stating definitively that my WIP is the story of XYZ, when the end result may well come to be significantly different.

Stories are like life: more possibilities and purpose emerge the further along you go.  And just like life, it’s rather invalid to summarize the meaning of it all before it has approached its ultimate end.

Finally, I fear opening myself up to premature criticism of my plot through my inability to properly explain it while still in progress.  Or conversely, premature interest, and subsequent probing questions.

As a result of all this, when Australian historical fiction author Debbie Robson asked me to participate in the blog meme known as The Next Big Thing, I said, “Sure.”

Because why be consistent with one’s own personality traits?

Admittedly, I did offer the caveat that my answers would be vague, superstitious, and paranoiac since I am indeed all of the above.  Furthermore, having since put my blog on its 600-word diet gives me even more of an excuse to be equivocal.  Thus, without further ado:

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Adventures in Reading: Trials of a time-pressed bibliophile

I used to love reading.

Putting it like that makes it sound like I don’t anymore, which is the furthest thing from true.

Reading is one of my earliest and most enduring pastimes.  As a child, I spent whole Saturdays at my local library.  My childhood summers were a parade of one book after another cracked open in any customary summertime location: the beach, the hammock in the yard, on a family vacation.

There’s nothing I love more than losing myself and my everyday surroundings in a great story.

I just don’t have much time for it anymore.

Of course, I know the adage: “No one has time; you make time.”  I even fully subscribe to this wisdom, in all areas of my life and with all pursuits that are important to me.

And it’s a good thing too, for I really don’t have time.

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No One Would Make a Coconut Fluoride Rinse: A writer’s frustration with finding the right words

A Distractions & Subtractions post

So, I have this sort of condition….

It’s nothing overly serious – nothing requiring medical treatment or that’s even been officially diagnosed.  More than anything, it makes for something of an odd party trick in response to yet another game folks may play at a party.

The blindfolded, guess-what-food-I’ve-just-put-in-your-mouth game.

Yes, this does, indeed, relate to writing.  Everything does with me, dontcha know?

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Writing Inside the (Out)Lines – Redux: A Creative Departure

(Or, Why Much of What You Plan in Your Outline Will Get Changed Along the Way)

A Distractions & Subtractions post for Rule of Stupid

Writing a novel is an endeavour of many emotions:

  • The excitement at having an idea take root in your head.
  • The pride you feel every time you sit down at the computer and add new words.
  • The anxiety that maybe you won’t be able to capture your idea in words as clearly as it plays out in your head.
  • The satisfaction of when all the plot pieces finally fall into place in your mind, and you’re finally convinced that yes, this story works.
  • And then, after months or even years of dedication, when the novel is finally completed, a satisfaction of a different sort that results from having successfully achieved a difficult, long-term goal.

But sometimes, this latter satisfaction comes prematurely; sometimes, satisfaction #2 and satisfaction #1 commingle, until they end up one in the same.

That is to say, sometimes, having devised a fully functional plot in one’s head (or on paper, or on the screen) feels like such a sense of accomplishment, the subsequent desire to actually write the novel disappears.

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